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Saturday, December 13, 2008
The Storyteller’s Art
By Francis W. Porretto
I flatter myself that I tell a decent story. More, I can’t imagine why anyone should find it mysterious how one goes about doing so. Herewith:
- The Storyteller’s Art: Say Something!
- The Storyteller’s Art: Felicity Of Style
- The Storyteller’s Art: Meditations On Character
- The Storyteller’s Art: Confinement, Tension, and Trial
- The Storyteller’s Art: Ideas
- The Storyteller’s Art: The Principles Of Scene Construction
- The Storyteller’s Art: Two Approaches To Character Development
- The Storyteller’s Art: Passion And Obsession
- The Storyteller’s Art: The Sin Of Over-Management
- The Storyteller’s Art: Pacing And Tone
- The Storyteller’s Art: Description And The Telling Detail
- The Storyteller’s Art: Devices
- The Storyteller’s Art: Keeping On
- The Storyteller’s Art: Motifs
- The Storyteller’s Art: Wordings
- The Storyteller’s Art: Workshops And Similar Torments
- The Storyteller’s Art: Assorted Observations
- The Storyteller’s Art: The Animal Force
- The Storyteller’s Art: Confounding The Archetypes
- The Storyteller’s Art: Giving Them What They Want
- The Storyteller’s Art: Cliffhangers
- The Storyteller’s Art: Targets
- The Storyteller’s Art: Beginnings
- The Storyteller’s Art: Using Others’ Stories
- The Storyteller’s Art: “Your Future”
- The Storyteller’s Art: Adventures In Speculation
- The Storyteller’s Art: Creating Memorable Characters
- The Storyteller’s Art: Challenges And Costs
